In April 2006, SHELVE (a sculpture I made back in 1997) was included in an exhibition at the Cross Art Projects called “Art Language – Every Publishable Place”. The page about that show is here: http://www.crossart.com.au/art_lang.html.
A few more pictures of the work are here. Ruark Lewis who curated the 2006 show at Cross Art, asked me to answer some questions about the work.
So here are my thoughts. Rough and unedited for the sake of the archive- Continue reading →
"It is by the manipulation of materials that we come to know those materials, that is, to know a part of our world, and this is also how we come to know how to do various things with materials. That is, knowledge is, paradigmatically, the skilled making that is the primordial meaning of 'art'. And of course: in this process, we also come to know various propositions, for example, those embodying procedures for the further development of skills. We come to be able to describe, say, clay, and the vessel made of clay, with a depth and an appreciation that only arises in thorough and involving experience. And this in turn ramifies into our experience of the vessel thus made, and of similar vessels: as we understand more, our experience of use is enriched. Indeed, the experience of making a vessel may lead to a cherishing of vessels and their makers, an understanding of and respect for persons and things that could not arise by other means."
p 131 – Crispin Sartwell, The Art of Living: Aesthetics of the Ordinary in World Spiritual Traditions, State University of NY Press, 1995.