Archive for August, 2010

Adelaide Traffic Island Garbage Map, now in a book!

From Here to There by Hand Drawn Map Association:unnatural

How exciting! Kris Harzinski, of Philadelphia, has just put together a book called From Here to There: A Curious Collection from the Hand Drawn Map Association, published by Princeton Architectural Press.

It contains my Adelaide Traffic Island Garbage Map, entitled simply MAP, 2007, which was printed on the Big Fag Press.

(The above photo is borrowed from Michael Surtee’s Flickr page, and his blog. I hope he doesn’t mind, as I have yet to receive a copy of the book myself.)

Here’s another blog which mentions the book (and my print!)

Oh, and! There’s an accompanying exhibition too! At Arcadia University, in Philly, from September 23 – November 7, 2010. What fun.

HDMA book
[The cover of the book...]

Two new fun things to do…

What I’m working on right now:

Environmental Audit
A project as part of the MCA’s exhibition “In the Balance: Art for a Changing World”. In my contribution, I am carrying out an ‘environmental audit’ of this exhibition itself, which has an overt theme around environmentalism and sustainability. My work is an ongoing project running from start of July to end of October 2010. It’s made up of of social interactions with artists and museum workers, a series of blog posts, and a series of prints produced on the Big Fag Press and delivered regularly to the MCA during the course of the exhibition.

Tending
A gardening project at Sydney College of the Arts in Rozelle. Initiated by Ross Gibson, who commissioned me “to make a garden and write a blog about the process”. A dream project for me combining two of the things I love to do. I have coerced Diego Bonetto to work with me on the project, which runs from July to December 2010, just one day per week.

…see you over at those places!

Catfish in the dam

conventional fish farming energy flows

This week’s Permaculture course theme was Aquaculture. I’m sure, like me, other students were captivated by the possibilities of introducing fishy and watery elements into our design systems, and seeing what you can do with old bathtubs. We were also struck with great fear around the farming methods for Tasmanian salmon.

Often after class I think about how some of the things I’ve learned could be applied to my Dad’s piece of land: a 5 acre block in the Hunter Valley, half “bush” with a small dam, half house site with lawn.

Last night I dreamed I was visiting Dad. He and I were talking about his dam. I was telling him he had to throw a bale of lucerne hay into it as well as some reeds and other pond weed seeds, and put in some yabbies – to try to get it producing some food.

In my waking life, I’m always wary of how much Permaculture propaganda to dump on Dad – I don’t want to overwhelm him with too much “Nick Says This is What You Should Do”; and I’m conscious that Permaculture is still (mis)perceived as quite “herbal” to some old fashioned and highly rational folks.

In my dream, we were walking around his dam, with fishing rods. There were big fish in there, we could see them swimming under the water. We were stunned and delighted. Suddenly we noticed a huge fish embedded in the sand near the dam, slowly breathing, stranded on dry land. We leaned in close to look at it. Dad reached down to pick it up. It made a “meow” sound like a cat. From this we knew it was a catfish, although it looked more like a large barramundi. I warned him to be careful, as catfish have poisonous spines.

Dad laid the catfish on a chopping board and took out a very large sharp knife. He was about to cut into it, but first he decided to feed the catfish some small baitfish that he had there – like whitebait or something. The catfish was still alive and gobbled up the small bait. I felt quite squeamish about this: it felt cruel, like the last meal of a condemned man. I knew that the big fella was soon to be sliced up himself.

And indeed, that’s what Dad did next, sinking the knife into the fat flesh behind the gills. The catfish bled profusely, deep red bloody meat spilling onto the unvarnished wooden porch of his house in the Hunter Valley.