<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: 18 Happenings in 6 Parts</title>
	<atom:link href="http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/</link>
	<description>/// art / exchange / events / re-enactment ///</description>
	<lastBuildDate>Tue, 10 Jan 2012 11:33:47 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.1.2</generator>
	<item>
		<title>By: Lucas</title>
		<link>http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-4576</link>
		<dc:creator>Lucas</dc:creator>
		<pubDate>Mon, 26 Jan 2009 00:37:03 +0000</pubDate>
		<guid isPermaLink="false">http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-4576</guid>
		<description>Another review here:
http://artcriticism.sva.edu/degreecritical/?p=55

quite an interesting one, actually. This is how it concludes:

18 Happenings was left in limbo, neither grounded in the now nor peacefully ephemeral. Evident by the high bids 1970s performance documentation receives at auction, all significant art will be remembered (and sold) despite its transient ingredients. Though what Kaprow initially advocated can only be practiced by being left alone, we sacrifice theoretical piety for mortal curiosity. It is not enough for Kaprowâ€™s critical writings to inform our conception of performance art; for better or worse, we have to see it to believe it. â€œHow can you retrospect on a 30-year career where everything was throw away?â€ Kaprow once asked. When the career was as momentous as Kaprowâ€™s, how canâ€™t you?</description>
		<content:encoded><![CDATA[<p>Another review here:<br />
<a href="http://artcriticism.sva.edu/degreecritical/?p=55" rel="nofollow">http://artcriticism.sva.edu/degreecritical/?p=55</a></p>
<p>quite an interesting one, actually. This is how it concludes:</p>
<p>18 Happenings was left in limbo, neither grounded in the now nor peacefully ephemeral. Evident by the high bids 1970s performance documentation receives at auction, all significant art will be remembered (and sold) despite its transient ingredients. Though what Kaprow initially advocated can only be practiced by being left alone, we sacrifice theoretical piety for mortal curiosity. It is not enough for Kaprowâ€™s critical writings to inform our conception of performance art; for better or worse, we have to see it to believe it. â€œHow can you retrospect on a 30-year career where everything was throw away?â€ Kaprow once asked. When the career was as momentous as Kaprowâ€™s, how canâ€™t you?</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Lucas</title>
		<link>http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-366</link>
		<dc:creator>Lucas</dc:creator>
		<pubDate>Thu, 06 Mar 2008 07:08:09 +0000</pubDate>
		<guid isPermaLink="false">http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-366</guid>
		<description>PS. There is another review of 18 happenings here:

&lt;a href=&quot;http://realtimearts.net/article/83/8870&quot; rel=&quot;nofollow&quot;&gt;http://realtimearts.net/article/83/8870&lt;/a&gt;</description>
		<content:encoded><![CDATA[<p>PS. There is another review of 18 happenings here:</p>
<p><a href="http://realtimearts.net/article/83/8870" rel="nofollow">http://realtimearts.net/article/83/8870</a></p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Artemisa Clark</title>
		<link>http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-179</link>
		<dc:creator>Artemisa Clark</dc:creator>
		<pubDate>Tue, 08 Jan 2008 22:38:46 +0000</pubDate>
		<guid isPermaLink="false">http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-179</guid>
		<description>Dear Mr. Ihlein,

My name is Artemisa Clark, and I work in the photo department of Artforum magazine in New York. We are currently working on an article in for our February 2008 issue which we would like to illustrate with the attached image of the Performa recreation of Kaprow&#039;s 18 Happenings in 6 Parts. I am contacting you for permission to use this photograph in addition to a high resolution image, at least 5 x 7 inches at 300 dpi (please contact me so I can send you the lo res image).

You will of course be credited in Artforum for your contribution. I can also send you a copy or two if you&#039;d like once we receive them. Thank you in advance for your help, and I look forward to hearing back from you soon.

Best,

Artemisa Clark

Artemisa Clark
Artforum/Bookforum
350 7th Avenue
Floor 19
New York, NY 10001
212.475.4000

*I have been trying a few different routes to contact you, so pardon if you get this message a few times, but it really is an urgent matter.</description>
		<content:encoded><![CDATA[<p>Dear Mr. Ihlein,</p>
<p>My name is Artemisa Clark, and I work in the photo department of Artforum magazine in New York. We are currently working on an article in for our February 2008 issue which we would like to illustrate with the attached image of the Performa recreation of Kaprow&#8217;s 18 Happenings in 6 Parts. I am contacting you for permission to use this photograph in addition to a high resolution image, at least 5 x 7 inches at 300 dpi (please contact me so I can send you the lo res image).</p>
<p>You will of course be credited in Artforum for your contribution. I can also send you a copy or two if you&#8217;d like once we receive them. Thank you in advance for your help, and I look forward to hearing back from you soon.</p>
<p>Best,</p>
<p>Artemisa Clark</p>
<p>Artemisa Clark<br />
Artforum/Bookforum<br />
350 7th Avenue<br />
Floor 19<br />
New York, NY 10001<br />
212.475.4000</p>
<p>*I have been trying a few different routes to contact you, so pardon if you get this message a few times, but it really is an urgent matter.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Learning from being there? at Bilateral</title>
		<link>http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-90</link>
		<dc:creator>Learning from being there? at Bilateral</dc:creator>
		<pubDate>Wed, 05 Dec 2007 18:08:05 +0000</pubDate>
		<guid isPermaLink="false">http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-90</guid>
		<description>[...] I showed some images from Allan Kaprow&#8217;s 18 Happenings in 6 Parts (1959/2007), and also his Push and Pull: A Furniture Comedy for Hans Hoffman (1963/2007). Keg and [...]</description>
		<content:encoded><![CDATA[<p>[...] I showed some images from Allan Kaprow&#8217;s 18 Happenings in 6 Parts (1959/2007), and also his Push and Pull: A Furniture Comedy for Hans Hoffman (1963/2007). Keg and [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Inhabiting Allan Kaprow&#8217;s Push and Pull at Bilateral</title>
		<link>http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-15</link>
		<dc:creator>Inhabiting Allan Kaprow&#8217;s Push and Pull at Bilateral</dc:creator>
		<pubDate>Fri, 23 Nov 2007 22:05:36 +0000</pubDate>
		<guid isPermaLink="false">http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-15</guid>
		<description>[...] Projects          &#171; 18 Happenings in 6 Parts [...]</description>
		<content:encoded><![CDATA[<p>[...] Projects          &laquo; 18 Happenings in 6 Parts [...]</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: margie borschke</title>
		<link>http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-14</link>
		<dc:creator>margie borschke</dc:creator>
		<pubDate>Tue, 20 Nov 2007 04:57:39 +0000</pubDate>
		<guid isPermaLink="false">http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-14</guid>
		<description>There is a piece by Jack Bankowsky in the November Artforum about the late  Jason Rhoades&#039; work Black Pussy Soiree Caberet Macrame in which gallerist David Zwirner is quoted as saying: &quot;I went to one of soirees and contrary to the idea that it was a great party, for me it was quite the opposite. It was extremely self-conscious and awkward.&quot; Zwirner is currently showing the sculpture that was left behind when the parties were over.</description>
		<content:encoded><![CDATA[<p>There is a piece by Jack Bankowsky in the November Artforum about the late  Jason Rhoades&#8217; work Black Pussy Soiree Caberet Macrame in which gallerist David Zwirner is quoted as saying: &#8220;I went to one of soirees and contrary to the idea that it was a great party, for me it was quite the opposite. It was extremely self-conscious and awkward.&#8221; Zwirner is currently showing the sculpture that was left behind when the parties were over.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Skanky Jane</title>
		<link>http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-13</link>
		<dc:creator>Skanky Jane</dc:creator>
		<pubDate>Sun, 18 Nov 2007 09:01:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.lucazoid.com/bilateral/18-happenings-in-6-parts/#comment-13</guid>
		<description>I recently read an essay &quot;The Experiment&quot; by Kaprow - re his &quot;blurring of art and life results in â€œjust doingâ€ life&quot; and what Kaprow wrote about that very thing - I found incredibly challenging. 

BTW - Nice new blog! SJ xx</description>
		<content:encoded><![CDATA[<p>I recently read an essay &#8220;The Experiment&#8221; by Kaprow &#8211; re his &#8220;blurring of art and life results in â€œjust doingâ€ life&#8221; and what Kaprow wrote about that very thing &#8211; I found incredibly challenging. </p>
<p>BTW &#8211; Nice new blog! SJ xx</p>
]]></content:encoded>
	</item>
</channel>
</rss>

